{"id":727,"date":"2017-09-04T22:19:08","date_gmt":"2017-09-05T05:19:08","guid":{"rendered":"http:\/\/ejmillerfineart.com\/news\/?p=727"},"modified":"2017-09-21T20:00:46","modified_gmt":"2017-09-22T03:00:46","slug":"photograms-before-instagram-computers-or-cameras","status":"publish","type":"post","link":"https:\/\/www.ejmillerfineart.com\/news\/2017\/09\/04\/photograms-before-instagram-computers-or-cameras\/","title":{"rendered":"Photograms \u2013 Before Instagram, Computers, or Cameras"},"content":{"rendered":"<p>Photograms expose a different and fascinating dimension of everyday objects. This project reveals how the internal symmetry of fruits and vegetables recalls other natural structures, from sea life to deep space events, creating a bridge between the everyday and the unknown. <\/p>\n<p>I have worked with 13 different fruits and vegetables over the past two years. For the next few months I will be creating new pieces in this series and posting them <a href=\"http:\/\/www.ejmillerfineart.com\/photo\/photograms\">here<\/a>.<\/p>\n<div class=\"newsimg\">\n<a href=\"https:\/\/www.flickr.com\/photos\/emily_miller\/23598237616\/in\/album-72157659851332524\/\"><img decoding=\"async\" src=\"https:\/\/www.ejmillerfineart.com\/news\/wp-content\/uploads\/2017\/09\/cabbage-square-1024x1024.jpg\" alt=\"Whirl - photogram by Emily Miller\"><\/a><em>Whirl<\/em>, photogram, 8\u201d x 8\u201d, 2015. \u00a9 Emily Miller.\n<\/div>\n<p>The project began in 2015, during a meditative 6 minutes in the darkroom spent watching my first photogram slowly emerge from a blank sheet of paper. A galaxy of spiraling dark spots on a white disk ghosted into life against a velvety black background. It was so unlike what I had imagined would be captured, so abstract and beautiful, I couldn\u2019t wait to try more. This mysterious image appeared from 12 seconds of light shining through a slice of everyday red cabbage, directly onto light-sensitive paper.<\/p>\n<p>Photograms are a throwback process even in the vintage world of film developing. All you need is light-sensitive paper and chemical fixative. In the earliest days of photography, before cameras were accessible or portable, many artists and scientists experimented with photograms, from the scientific algae cyanotypes of <a href=\"http:\/\/digitalcollections.nypl.org\/collections\/photographs-of-british-algae-cyanotype-impressions#\/?tab=navigation\" target=\"_blank\">Anna Atkins<\/a> to the conceptual rayographs of <a href=\"http:\/\/www.moma.org\/collection\/artists\/3716\" target=\"_blank\">Man Ray<\/a>. As cameras rose in popularity, photograms faded into obscurity, but they are not a dead medium. Contemporary Ohio artist <a href=\"http:\/\/aeqai.com\/main\/2014\/04\/anita-douthat-under-the-sun\/\" target=\"_blank\">Anita Douthat<\/a> uses dress fabric on large sheets of paper exposed by direct sunlight. In Norway, <a href=\"http:\/\/www.lisebjorne.com\/art_projects\/breath-drawings-breath-rayographs\/\" target=\"_blank\">Lise Bjorne Linnert<\/a> uses ash and breath to create a record of her presence.<\/p>\n<p>I love how the simplicity and directness of the photogram process leads to such mysterious and abstract results. Apple slices reveal an unexpected five-point symmetry, like a sand dollar, and the seedy void in the center of a cantaloupe slice is a mystery rather than a clue. At the same time, they are pure and true representations of their source.<\/p>\n<div class=\"newsimg twoUp\">\n<a href=\"https:\/\/www.flickr.com\/photos\/emily_miller\/23541917141\/in\/album-72157659851332524\/\"><img decoding=\"async\" src=\"https:\/\/www.ejmillerfineart.com\/news\/wp-content\/uploads\/2017\/09\/photogram-cantaloupe-2-800.jpg\" alt=\"Trefoil 2 - photogram by Emily Miller\"><\/a><a href=\"https:\/\/www.flickr.com\/photos\/emily_miller\/23624330485\/in\/album-72157659851332524\/\"><img decoding=\"async\" src=\"https:\/\/www.ejmillerfineart.com\/news\/wp-content\/uploads\/2017\/09\/photogram-apple-2-800.jpg\" alt=\"Pentamer 2 - photogram by Emily Miller\"><\/a>Left: <em>Pentamer 2<\/em>, photogram, 8\u201d x 8\u201d, 2015. Right: <em>Trefoil 2<\/em>, photogram, 8\u201d x 8\u201d, 2015. \u00a9 Emily Miller.\n<\/div>\n<p>Each slice of fruit is unique, changing form depending on whether it was sliced from nearer the center or the edge of the whole. By holding a slice up to the light, I can try to guess how the photogram might turn out, but I am always happily surprised by what is revealed, and what is hidden, in the final image. The image, and the process, remains an open question. That is the reason I keep going back for more.<\/p>\n<div class=\"newsimg\">\n<a href=\"https:\/\/www.flickr.com\/photos\/emily_miller\/23624325855\/in\/album-72157659851332524\/\"><img decoding=\"async\" src=\"https:\/\/www.ejmillerfineart.com\/news\/wp-content\/uploads\/2017\/09\/photogram-leeks-800.jpg\" alt=\"Aggregation - photogram by Emily Miller\"><\/a><em>Aggregation<\/em>, photogram, 8\u201d x 8\u201d, 2015. \u00a9 Emily Miller.\n<\/div>\n<p>Two years later, I tried to re-create my first photogram with a new slice of cabbage. After tweaking and testing different exposure settings for over an hour, and developing only flat white circles or indistinct blurs, I conceded that Cabbage #1 should stand on its own, speaking to the magic of a fleeting process that can never truly be reproduced.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photograms expose a different and fascinating dimension of everyday objects. This project reveals how the internal symmetry of fruits and vegetables recalls other natural structures, from sea life to deep space events, creating a bridge between the everyday and the unknown. <\/p>\n","protected":false},"author":1,"featured_media":733,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[18],"tags":[17],"class_list":["post-727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography","tag-photograms"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.ejmillerfineart.com\/news\/wp-content\/uploads\/2017\/09\/cabbage-square.jpg","_links":{"self":[{"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/posts\/727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/comments?post=727"}],"version-history":[{"count":7,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/posts\/727\/revisions"}],"predecessor-version":[{"id":741,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/posts\/727\/revisions\/741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/media\/733"}],"wp:attachment":[{"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/media?parent=727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/categories?post=727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ejmillerfineart.com\/news\/wp-json\/wp\/v2\/tags?post=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}